Thursday, May 30, 2013

Willy Wonka Jr.

Today, I got copies of my plot made along with a print out of the instrument schedule and turned them in to City Auditorium.  I also e-mailed a copy of the instrument schedule and some more information on what lighting fixtures I intend to use to Jim so he can prepare what I need to rent from Fisher.  Assuming I've given him enough info, I believe I have done everything I need to prior to light hang on Saturday the 8th.

Working on this, and taking Jim's class this past semester, has really brought my appreciation for the task of lighting way up.  It's easy to think of the lighting designer as just the person who has to make sure the audience can see the actors, but the breadth of what you're capable of achieving with lighting is amazing.

Next week sees me going to Wisconsin for my out-of-state internship at Door County.

Wonka jr update

We finally got the bucket shack together and painted. I'm pretty proud of it. Now that it's together we can see what we need to do to it to make sure that is sturdy and will work the way we want. Now my goal is to get everything else built so that we are just painting next week.

We got all of our materials approved by the fire marshal which is incredibly helpful and I can finish buying stuff. Through all of this I started to realize how much stuff our professors do that even those of us that work closely with them don't see. I kind of like it but at the same time it's pretty annoying to have to change things that had already been decided. This has been an eye opener for how I need to do things when I TD or even when I'm a designer or PM.

Monday, May 27, 2013

Willy Wonka Jr.

Today, I put the finishing touches on my plot and began putting together my instrument schedule.  The only things left are to have copies of my plot made; deliver one to Mike King at City Auditorium; finish and print my instrument schedule; and send information to Jim so he can prepare anything I need to rent.  These things I will be doing on Thursday.

Sunday, May 26, 2013

Pippin 5/19-26

   This week was very productive. The first couple rehearsals were, at least for me, reviewing the music; we were called in my parts to review each song; this definitely helped a lot of us, for we were needing the extra rehearsal time. With this additional music rehearsal, I feel a little more confident with some of the songs. However, there are still some songs that even I get lost in; I feel we didn’t spend enough time working on each of them for the music to be cemented in my head (and it’s not that I don’t want to practice outside of rehearsal - it’s just I don't have ways to play music when at home, limiting my rehearsal abilities). However, I think it will get better once we put the choreography and blocking to the music.
           I have been sensing from the cast a growing irritability. I think a lot of people feel upset about how some rehearsal time gets used. As many of the scenes they spend a lot of time working through require a lot of us, we can’t use our down time to rehearse music or choreography as we have to stay engaged with the work. But because we spend a lot of time going slowly, our energy really drags, making it hard to stay positive. And when that happens, people (myself included) begin to grow frustrated.
On a positive note, I got my first major experience at teaching choreography this week. I was called to begin working on the first "sex scene", where Pippin first discovers women (among other things). Because I started back to work at home this week, I didn’t get as much time as I would have liked to prepare the dance, so what I did come up with didn’t feel like enough. However, to counter that, the girls (as well as cast members watching) are really enjoying the dance - the movement I set on them allows them to get into a character, do some more physical movements, and have some new fun. They tell me it’s a workout – something I didn’t expect. Feedback from my cast-mates tell me that they are incredibly impressed with how it looks, and that it's wonderful to see some new and creative dancing within the show so far; that amount of praise makes me feel proud of my work, and also of how much I have grown as an artist, dancer, AND director (as those skills have come in to play a lot).

     With some work this weekend, I plan to not only finish the first dance, but also enhance the choreography we currently have for most of the numbers. I think I will get the chance in the coming week or so to not only finish the numbers I was given, but with the choreographer’s permission, go back and revamp some of the old numbers, and really solidify them (at least in terms of the dancing). It’s going to look really good once it all comes together. 

Thursday, May 23, 2013

Willy Wonka Jr.

Today was spent just drawing up a final version of my plot on vellum.  My next step is creating an instrument schedule.  It's a little crazy to think that we're getting so close to tech and opening.  Seems like it wasn't all that long ago that we met for our first meeting.

Tuesday, May 21, 2013

Willy Wonka Jr.

Only thing really done today was creating a larger scale drawing of my current plot.  The scale drawing of the stage that City Auditorium provided me with was only 1/8th inch scale, and everything was too crowded to put information like channel number and what color gel goes in each light.  So I drew out my plot at 1/2 inch scale to accommodate.

I'm still wondering about one of Jim's suggestions for adding lights to the balcony rail for more front lights.  The show is going to have projectors along the rail, and I'm concerned that any lights there will interfere with the projections.  However, it might not be a bad idea to place some lights along the rail anyway and if my concerns prove unfounded, then more lights to play with.

Wonka jr. Updates

We have just a few weeks until we move int the space and I'm not exactly where I wanted to be, plus now I have to modify a piece of the the set. I think it all can get done but I'm pretty sure that I'm going not have to start taking late nights to get work done.

It's kind of weird to think about the production from this point of view. I've done work backstage before but this is a whole different thing. I'm not just building the pieces that I'm told to build. I have to think about the entire world all the time and make sure that everything fits the way I originally saw it.